Audio

Audio, full length, sample rate: 22.050

Two performances
Two performances
Gebrauchsspuren for harpsichord
Gebrauchsspuren for harpsichord
String quartet 4
String quartet 4
Anklung
Anklung
After Donald Judd
After Donald Judd
Constant
Constant
With Sol LeWitt
With Sol LeWitt
Metal and stone
Metal and stone
Whistle Piece
Whistle Piece
In front of Bridget Riley
In front of Bridget Riley
Knock on Wood
Knock on Wood
Construction Kit
Construction Kit
Sound Track
Sound Track
Falten, solo 8
Falten, solo 8
34 bpm
34 bpm
Tuba, electric guitar, accordion
Tuba, electric guitar, accordion
Today the organ played beautifully  again
Today the organ played beautifully again
Please play it again Lenka
Please play it again Lenka
Gebrauchsspuren
Gebrauchsspuren
32 bpm
32 bpm
Falten for Tizia Zimmerman
Falten for Tizia Zimmerman
Blast
Blast
String quartet 3
String quartet 3
Songs of wild birds
Songs of wild birds
38 bpm
38 bpm
Catch a falling star
Catch a falling star
Falten for percussion
Falten for percussion
Heimwerker
Heimwerker
Verstrijken for ensemble Gending
Verstrijken for ensemble Gending
Falten for Sonar Quartett
Falten for Sonar Quartett
Jochen
Jochen
Falten for electric guitar
Falten for electric guitar
Verstrijken for Motion ensemble
Verstrijken for Motion ensemble
Say it with music
Say it with music
Faltenrock
Faltenrock
Yu-Un
Yu-Un
Verstrijken for Ko Ishikawa
Verstrijken for Ko Ishikawa
Verstrijken in Vienna
Verstrijken in Vienna
Komponenten
Komponenten
Breaking the bar
Breaking the bar
Verstrijken for ensemble
Verstrijken for ensemble
Verstrijken for Kirstin Maria Pientka
Verstrijken for Kirstin Maria Pientka
Verstrijken for Luc Döbereiner
Verstrijken for Luc Döbereiner
Was halten sie vom Loch?
Was halten sie vom Loch?
Verstrijken in Quebec
Verstrijken in Quebec
The pitiless piano
The pitiless piano
Wanderwege
Wanderwege
Suleika, Baidar
Suleika, Baidar
Pfeiff drauf
Pfeiff drauf
Augenblick
Augenblick
Im Friedhof, Svetlana Abramova
Im Friedhof, Svetlana Abramova
Bruchstücke
Bruchstücke
Qualcuno è nel giardino
Qualcuno è nel giardino

Two performances — violin, November Music, Den Bosch, The Netherlands

Gebrauchsspuren for harpsichord — Ines Ribeiro Lopes, Kunstmuseum The Hague, The Netherlands

String quartet 4 — Ensemble Academy Koninklijk Conservatorium, The Hague, The Netherlands

Anklung — Anklung, from Falten, Slagwerk The Hague, The Netherlands

After Donald Judd — After Donald Judd, from Falten, Slagwerk The Hague, The Netherlands

Constant — Constant, from Falten, Slagwerk The Hague, The Netherlands

With Sol LeWitt — With Sol LeWitt, from Falten, Slagwerk The Hague, The Netherlands

Metal and stone — Metal and Stone, from Falten, Slagwerk The Hague, The Netherlands

Whistle Piece — Whistle Piece, from Falten, Slagwerk The Hague, The Netherlands

In front of Bridget Riley — In front of Bridget Riley, from Falten, Slagwerk The Hague, The Netherlands

Knock on Wood — Knock on Wood, from Falten, Slagwerk The Hague, The Netherlands

Construction Kit — Construction Kit, from Falten, Slagwerk The Hague, The Netherlands

Sound Track — Sound Track, from Falten, Slagwerk The Hague, The Netherlands

Falten, solo 8 — Baue Kunstman, kalimba, Kunstmuseum The Hague, The Netherlands

34 bpm — Slagwerk The Hague, The Netherlands, Kunstmuseum The Hague, The Netherlands

Tuba, electric guitar, accordion — accordion and electric guitar

Today the organ played beautifully again — Stephan Lutermann, Organ, William Engelen, Bellows, St. Matthäus Kirche Melle, Germany

Please play it again Lenka — Lenka Zupkova, violin, Opera house Hannover, Germany

Gebrauchsspuren — Benoit Gagnon, piano, Studio Fattoria Musica, Osnabrück

32 bpm — Mannheimer Schlagwerk, Kunsthalle Mannheim, Germany

Falten for Tizia Zimmerman — accordion, HKB Bern, Swiss

Blast — Alex Carre, Claude Ewert, Angelo Mangini, Kevin Muhlen, electric guitars, Belval, Luxemburg

String quartet 3 — United Instruments of Lucilin, Luxemburg

Songs of wild birds — Ansis Nikolovskis, tuba, Belval Luxemburg

38 bpm — United Instruments of Lucilin, percussion, Belval, Luxemburg

Catch a falling star — Son Bata, percussion with 21 street musicians, Museo de Antioquia, Medellin, Colombia

Falten for percussion — Ensemble Talujon, New York, U.S.A.

Heimwerker — Ensemble oh-ton, Oldenburg, Germany

Verstrijken for ensemble Gending — gamelan instruments, Gaudeamus festival, Utrecht, The Netherlands

Falten for Sonar Quartett — Gaudeamus festival Utrecht, The Netherlands

Jochen — Theo Nabicht, contrabass clarinet, Maerzmusik festival, Berlin, Germany

Falten for electric guitar — Rudolf Terland Bjornerem, Ultima festival Oslo, Norway

Verstrijken for Motion ensemble — Fredericton, Canada

Say it with music — Doelenensemble Rotterdam, Poetry International festival, Rotterdam, The Netherlands

Faltenrock — Seth Josel, electric guitar, Christine Pate, accordion, Galerie Georg Kargl, Vienna, Austria

Yu-Un — Christopher Yohmei Blasdel, Shakuhachi, Yu-Un house, Tokyo, Japan

Verstrijken for Ko Ishikawa — Sho, Yu-Un house, Tokyo, Japan

Verstrijken in Vienna — Dimitrios Polisoidis, viola, Tonspur Vienna, Austria

Komponenten — Christine Pate, Museum Abteiberg, Mönchengladbach, The Netherlands

Breaking the bar — Ensemble KNM Berlin, BTZM festival, Bludenz, Austria

Verstrijken for ensemble — 9 musicians, Museum Boijmans van Beuningen, Rotterdam, The Netherlands

Verstrijken for Kirstin Maria Pientka — viola, Berlin, Germany

Verstrijken for Luc Döbereiner — computer, The Hague, The Netherlands

Was halten sie vom Loch? — small choir, speaker, contrabss, percussion, Fridericianum Kassel, Germany

Verstrijken in Quebec — Clemens Merkel, violin, La Chambre Blanche, Quebec city, Canada

The pitiless piano — Joan La Barbara, voice, Hermes Ensemble, Axel Vervoordt, Antwerp, Belgium

Wanderwege — Ruslan Alyev, bariton, Pinguin Moschner, tuba, Günther Krausse, electric guitar, NAK Aachen, Germany

Suleika, Baidar — mezzosoprano, Souzan Haddad, alt, Maryam Akhondi, soprano, NAK Aachen, Germany

Pfeiff drauf — Diana Petrova.Erdem, piccolo, Dimitri Marinkiv, flute, NAK Aachen, Germany

Augenblick — Thorsten Heitmann, trombone, NAK Aachen, Germany

Im Friedhof, Svetlana Abramova — mezzosoprano, O-Yu Kweon, bariton, Emanuel Coman, violin, Martin de Ruiter, accordion, NAK Aachen, Germany

Bruchstücke — Nina Leonards, violin, Christoph Eidens, vibraphone, Joris Lumey, clarinet, NAK Aachen, Germany

Qualcuno è nel giardino — Ellen van der Ham, mezzosoprano, Henk Bakker, clarinet, Martin de Ruiter, accordion, Tent, Rotterdam, The Netherlands